A little late to the party, but wanted to round off 2014
after a shockingly lazy and sparsely written ending to the year – changing jobs
has its demands!
Anyhow, it was a great year for cinema and TV alike, and
although the London Film Festival and BFI preview screenings through the year
weren’t as memorable as previous years, the productions on showcase were
stronger, and some films in particular really packed a punch. Timothy Spall’s
two-year crusade to learn to paint for Mr
Turner was a worthwhile investment, giving a bulldog portrayal of the
grunting artist, Jake Gyllenhaal shed the pounds and sharpened the cheekbones
for a snake-like Lou Bloom in the brilliant Nightcrawler,
and Rosamund Pike is finally brings her A game with a subtle and nuanced
delivery of Amazing Amy in Fincher’s creepy adaptation Gone Girl. We also had the fast-paced beats of Whiplash, the quirky storytelling of Grand Budapest Hotel, Michael Fassbender and co go experimenting
with sounds (and mental health) in Frank,
and Phillip Seymour-Hoffman’s swansong performance as German spymaster Günther
Bachmann in LeCarre adaptation A Most
Wanted Man. It was a kick ass year for cinema.
However, fantastic storytelling, epic character arcs and
incredible acting chops are more commonly becoming synonymous with the small
screen rather than the big one, and 2014 truly defined the golden age of
television, as bigger budgets, higher viewing numbers and increased network and
on-demand competition demanded better programming for the more selective
viewer. Maggie Gyllenhaal (like her aforementioned brother) deserves a mention
for her wonderful performance in Hugo Blick’s The Honourable Woman, Billy Bob Thornton went uber-cool psychopath
in Fargo, and the McRenaissance
continued with Matthew’s philosophical gothic cop drama, True Detective, and let's not forget Keeley Hawes as the years most discussed British character Lindsay Denton in Line of Duty.
Without further ado, here’s a list of the best of 2014, (and
worth noting, I missed Boyhood, hence
the glaring omission given the buzz generated):
Film
Film
- Whiplash – psychological thriller pitching drum prodigy against master conductor
- Frank – off the wall drama following wacky fictitious band The Soronprfbs
- Mr Turner – Mike Leigh’s masterpiece sees Timothy Spall capture the last decades of the great artist
- Nightcrawler – neo-noir crime thriller which explores the antics of crime reporter and sociopath, Lou Bloom
- Gone Girl – Fincher adapts Gillian Flynn’s creepy bestseller with aplomb
- The Grand Budapest Hotel – escapade comedy from the amazing mind of Wes Anderson
- Edge of Tomorrow – Doug Liman adapts Japanese sci-fi to create the best blockbuster of the year
- The Guest – crime thriller with nostalgic sounds, kick-ass one-liners and a twisty plot
- A Most Wanted Man – Hamburg-set spy thriller complete with labyrinthine plot and slow-burn chills
- Interstellar – Nolan delivers another unique blockbuster, delving into quantum physics and future survival
- Calvary – whodunnit religious crime drama from the team who brought us The Guard
- The Imitation Game – another Cumberbatch performance, another British classic
- The Babadook – Australian horror which showcases some terrifying imagery and genuine scares
- Leviathan – Russian masterpiece which sees one man go up against the establishment
TV
- The Honourable Woman (BBC Two; Hugo Blick)
- Fargo (FX; Noah Hawley)
- Utopia 2 (Channel 4; Dennis Kelly)
- True Detective (HBO; Nic Pizzolatto
- The Walking Dead 4 (AMC; Frank Darabont)
- Line of Duty 2 (BBC Two; Jed Mercurio)
- Happy Valley (BBC One; Sally Wainwright
- Sherlock 3 (BBC One; Steven Moffat, Mark Gatiss)
- Hannibal 2 (NBC; Bryan Fuller)
- The Missing (BBC One; Harry & Jack Williams)
- Game of Thrones 4 (HBO; David Benioff, D.B. Weiss)
- The Fall 2 (BBC Two; Allan Cubitt)
- Homeland 4 (Showtime; Howard Gordon, Alex Gansa)
- Suspects (Channel 5; Darren Fairhurst, Steve Hughes)
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